Selene’s Family

Selene’s Family is a group of like-minded, highly sexual people gathered by Selene in The Crimson Domain. Their Patron Selene has shaped them according to her, and their own desires, after becoming part of the Family.

As members of The Hobbled Accord, Selene’s Family has been confirmed to be inspired by other member groups, such as the Twilight Herd.

SeleneNeomaLunaLua
Height179 cm165 cm150 cm153 cm
Bust107 cm99 cm90 cm92 cm
Cup Size (EU)80H73H63H66H
Waist55 cm49 cm45 cm47 cm
Hips81 cm73 cm70 cm71 cm
SexHermFemaleFemaleFemale
RolePatron MistressMaidPony/PetPony/Pet

Selene

Selene is the first member, founder and Patron of The Family, and the area in the Crimson Domain known as Selene’s Falls.

Description

Selene is more than just a striking view as she stands there, or walks down the street. For she is, from her head to her toes, completely sheathed in a thick layer of latex with a crimson colour that fits her body like a second skin. The material is glossy and highly polished at all times, reflecting the light and surroundings, highlighting each contour and curve of her physique and her exaggerated hour glass forms. On top of that, there is no visible seam that could disrupt the perfect layer of rubber.

The cover extends to her head, which is moulded into an ovoid shape of crimson rubber, almost completely featureless and devoid of any such imperfections as eye or nostril openings. A pony tail breaks it coming from the back of her head, made up of synthetic hair of the same crimson colour, which reaches down to just above her buttocks. Another break from the smooth ovoid shake are a pair of full, almost stylised crimson rubber lips that are always at least lightly parted in a light pout, allowing to catch a glimpse of the crimson rubber cavity behind those lips and a rubberised tongue, which sometimes licks over her full lips.

Lower down, her long neck is unadorned by collar and choker. Instead, a single ring is set directly into the rubber, about where her Adams apple would be. Pulling on it shows that there might be a sort of collar integrated directly into the rubber encasing her necks. From there, the rubber flows over her arms, tightly encased, down to her hands, with the delicacy of her fingers not changed by their red cover.

Her breasts are a prominent part of her look, with a pair of large H-cup breasts sticking out, supported by thicker rubber covering them, shaping them into a more globular form. Each is individually encased, allowing them to move independently up and down or to the sides. A prominent and erect nipple tops each breast, pierced by a simple ring, like the one on her neck.

Her waist pulls in sharply, unadorned by any corset or anything else that might explain its reduction. Perhaps it is part of her covering. From there, her hips flare out dramatically, giving her an almost extreme hourglass figure.

Her crotch is, surprisingly, home to both a visible and sizeable penis, that doesn’t seem to have any state, but always be extended to its full length of 25 cm and diameter of 9 cm. Still, it usually hangs straight down between her legs, only raising up to the occasion of its use. Still, its shape is more reminiscent of a smooth dildo with an equine head, with a single Prince Albert type piercing on the tip. The penis lacks the ball sack to go with it, but instead, she still has a pair of labia lips, moulded perfectly into the rubber of her crotch, joined by a nice opening for her anus, tucked between her shapely buttocks. Both openings extend into a sheath that is fully and deeply penetrable.

From her wide hips, her legs extend with a pair of thick thighs and shapely lower legs that end, not in a pair of normal feet, but instead in a pair of moulded shapes reminiscent of ballet slippers. Only that these ballet shoes force her to remain standing and walking on the tips of her toes, with soles that are maybe the size of a 50 cent piece. There are no heels that could support her heels as they are forced into the air, with her ankles stiffened, allowing not a single millimeter of movement. To further limit the movement of her feet, a pair of rings seem to pierce through her lower leg behind the Achilles tendon, connected by a chain of normally 15 cm length to hobble her steps. However, the chain can suddenly extend to 30 cm length, enough to climb a set of stairs without assistance if she needs to.

All in all, she does present a striking image with her almost purely crimson rubber body. She appears made for sex, cuddling or playing with, combining it in a sexy and striking look. And even with all that, she still somehow retains the ability to see, hear and even speak.

Personality

Selene has a generally pleasant, domineering personality, which can become merciless under the wrong, or maybe right, circumstances. She has a strong perfectionist streak and likes to shape her surroundings to her exact preferences. This extends to those who live with her, her ‘family’ as she calls them, and who serve her in any capacity. If they adhere to her desires, she can be gentle to them, but becomes merciless if they do not.

To those outside her immediate ‘family’, she can ignore it if her desires are unmet, knowing that it usually does not concern her.

Her perfectionist streak and desire to control all her immediate surroundings include herself, which is part of the reason why she decided to shape her own body and become sealed into the outfit she is wearing. The other reason is her heightened sexuality and strong fetish for everything rubber, as well as the long-time dream of becoming a being of rubber, able to play with other beings of rubber whenever she chooses.

As such, she is always actively looking for new members of her Family, which she can control, and who wish to be controlled by her. Their free and willing desire to submit to Selene is part of a strangely humanist view she holds, as she would never dominate someone against their free will. This means additionally, if she finds someone willing to submit to her will, she will ensure they know exactly what they are in for and get time to really thing things through, rather than allowing them to make rash decisions they might later regret.

As a rule, Selene seems to know exactly who would react positively to her proposal of becoming a member of her Family. All of these women react positively to her control and all it brings.

Neoma

Neoma is the first member recruited by Selene into her Family. Neoma is the maid servant of Selene, and it is her duty and passion to ensure that everything in Selene’s surroundings, their home and their bodies are spotlessly clean and polished.

Her thorough work has now led to her only need to clean irregularly, as not even dust seems to penetrate into Selene’s Falls. Still, she regularly polishes the floors, metal, glass and latex covered furniture.

Description

Neoma is more than just a striking view as she stands there, or walks down the street. For she is, from her head to her toes, completely sheathed in a thick layer of latex that has an off-white colour that fits her body like a second skin. The material is glossy and highly polished at all times, reflecting the light and surroundings, highlighting each contour and curve of her physique and her exaggerated hour glass forms. On top of that, there is no visible seam that could disrupt the perfect layer of rubber.

The cover extends to her head, which is moulded into an ovoid shape of off-white rubber, almost completely featureless and devoid of any such imperfections as eye or nostril openings. A pony tail breaks it coming from the back of her head, made up of synthetic hair of the same off-white colour, and which reaches down to just above her buttocks. Further forwards, a simple maid cap is fused with the rubber of her head. Another break from the smooth ovoid shake are a pair of full, almost stylised off white rubber lips that are always at least lightly parted in a light pout, allowing to catch a glimpse of the off white rubber cavity behind those lips and a rubberised tongue, which sometimes licks over her full lips.

Lower down, her long neck is adorned with a simple frilly choker, with a single ring set directly into the rubber, about where her Adams apples would be. From there, the rubber flows over their arms, tightly encased, down to their hands, with the delicacy of her fingers not changed by their white cover. A set of frilly cuffs is placed around her wrists, combined with a pair of rings directly set into the rubber, like the one on her neck.

Her breasts are a prominent part of their look, with a pair of large H-cup breasts sticking out, supported by thicker rubber covering them, shaping them into a more globular form. Each is individually encased, allowing them to move independently up and down or to the sides. A prominent and erect nipple tops each breast, each pierced by a simple ring, like the ones on her neck.

Her waist pulls in sharply, unadorned by any corset or anything else that might explain its reduction, perhaps part of her covering. From there, her hips flare out dramatically, giving her an almost extreme hourglass figure. A small rubber maid apron is wrapped around her waist, which does not even descend below her hips, and with a loop around her neck, passing left and right by her breasts.

Her crotch is smooth, and one can see a pair of labia lips, moulded perfectly into the rubber of her crotch, joined by a nice opening for her anus, tucked between her shapely buttocks. Both openings extend into a sheath that is fully and deeply penetrable. There is also a piercing set into the rubber of her crotch, where her clitoris would be.

From her wide hips, her legs extend with a pair of thick thighs, one of which is encircled by a frilly band, and shapely lower legs that end, not in a pair of normal feet, but instead into a pair of moulded shapes reminiscent of ballet slippers. Only that these ballet shoes force her to remain standing and walking on the tips of her toes, with soles that are maybe the size of a 50 cent piece. There are no heels that could support her heels as they are forced into the air, with her ankles stiffened, allowing not a single millimeter of movement. To further limit the movement of her feet, a pair of rings seem to pierce through her lower leg behind the Achilles tendon, connected by a chain of normally 15 cm length to hobble her steps. However, the chain can suddenly extend to 30 cm length, enough to climb a set of stairs without assistance if she needs to.

All in all, she does present a striking image with her almost purely off white rubber body. She appears made for domestic chores, sex, cuddling or playing with, combining it in a sexy and striking look. And even with all that, she still somehow retains the ability to see, hear and even speak.

Personality

Neoma has a calm and collected personality that allows her to remain calm even under high stress situations. She thrives in environments under control, where she herself is controlled and knows what is expected of her. She likes repetitive tasks, like cleaning and polishing, which allow her to lose herself in an almost meditative state. At the same time, these tasks can bring her almost sexual pleasure, and there have been times when she reaches climax during her daily routine from her work alone.

Ever since she became Neoma and a member of Selene’s Family, she believes herself to have grown in some ways, as she embraced her new role in life with fervour, that she now has forgotten her old life and has become Neoma in mind and spirit.

Luna & Lua

Description

Luna and Lua are a striking view when they stand next to each other, in their completely identical outfits. Merely their different body height allows one to tell them apart, as Lua is the slightly taller one of the two.

Their entire bodies are encased in a smooth, seamless and ebony layer of rubber that fits their bodies like a second skin. The material is glossy and highly polished at all times, reflecting the light and surroundings, highlighting each contour and curve of their physique and their exaggerated hour glass forms. On top of that, there is no visible seam that could disrupt the perfect layer of rubber.

The cover of rubber extends to their heads, where the rubber is moulded into stylised pony heads, complete with pony ears. The faces are featureless, lacing any visible means for them to see, breathe or eat, as the material is smooth, hiding away any opening. From the top of their head to the back of their neck, a mane of synthetic ebony black hair flows, reminiscent of the manes of real ponies. A black rubber bridle is snugly fit around each of their heads, complete with adjustable straps under their chins and foreheads, even if their adjustability might be superfluous. A pair of rubber reins are permanently attached to the bridles, enhancing their effect.

Lower down, their long necks are unadorned by collars and chokers. Instead, a single ring is set directly into the rubber, about where their Adams apples would be. Pulling on it shows that there might be a sort of collar integrated directly into the rubber encasing their necks. From there, the rubber flows over their arms, tightly encased, down to their hands, which are encased by a pair of hooves each, seamlessly integrated into the rest of their suits, while pairs of rings, like the one at their necks, are set directly into the rubber of their wrists.

Their breasts are a prominent part of their look, with a pair of large H-cup breasts sticking out, supported by thicker rubber covering them, shaping them into a more globular form. Each is individually encased, allowing them to move independently up and down or to the sides. Each breast is topped by a prominent and erect nipple, each pierced by a simple ring, like the ones on their necks and wrists.

A carrying harness of reinforced latex straps, buckles and rings is laces around their upper bodies and over their shoulders, with additional straps around their upper arms connected to the harness. In addition, short lengths of chain connect the upper arm straps to one of the rings at their wrists, forcing them into a raised position. Lower down, the harness connects to the severe looking corset around their waists. The corsets have visibly heavy boning, and the lacing on the back seems impossible to loosen, let alone remove, trapping their waists in its tight embrace.

From the lower part of their corsets, a lower harness encases their side rubber covered wide hips, large butts and upper legs. A pair of straps run down and through the crotch, pulling their muscle and rubber of their legs to the side, allowing a clear sight of their rubberised pussy and ass. To fit the theme, both pussy and ass have been moulded to be reminiscent of an equine pussy and ass, with a pair of penetrable sheathes reaching deep into their bodies. To complete the look, just above their buttocks, a pony tail, made of synthetic ebony hair, is attached, matching the colour and texture of their mane. It seems to swish in a life of its own, just like a real pony. Finally, another ring pierces through the rubber where their clitoris should be.

The lower harness also attaches to straps looked around their thick thighs, where the black rubber of their second skin continues to their ankles and feet. Those feet are encased in hoof boots based around ballet boots. This means they are forced to walk on the tips of their toes, their ankles immobilised, and without the support of a heel. Instead, the hoof part of the boots is larger to provide some purchase on the floor, and they are even shod in metal horse shoes. However, a hobble chain restricts their steps, connected to a pair of rings pierced through the legs behind the Achilles tendon. Interestingly, there seems to be some mechanism that can limit their stride either to no less than 15 centimeters, or allow them to take high pony steps. If they need to climb stairs, the chains can grow to 30 cm in length.

All in all, the pair of them do present a striking image with their purely black rubber bodies. They appear made for sex, cuddling or playing with as ponies, combining it in their sexy and cute look. And even with all that, they still somehow retain the ability to see, hear and even speak.

Personality

The personalities of Luna and Lua are almost identical, with only a small part different. Where Luna is gentle and almost passive, Lua has a bit of fire and likes to be active, mostly dragging Luna along.

Both always been friends with had a deep fascination with ponies, horses and other equines since early childhood. It is something that went deeper the older they got, wanting to become ponies in spirit, to represent their essence.

Even so, Luna and Lua have personalities that always do better if they are in a stable environment, with a structured routine of daily life, finding comfort in predictability and order. They thrive when they know what to do and what is expected of them, with clear guidance and instructions.

Selene came across them just before they celebrated their 20th birthday, and way before they could be settled down in a life and career. With their deep dream, they soon became Luna and Lua, easily willing to forget their old lives to become Selene’s obedient and devoted pony pets, that always try to be as close as possible to Selene.

Selene’s Falls

Selene’s Falls is the place where Selene and her family live. It is part of The Tethered Enclave and is part of The Crimson Domain. Visitors to Selene’s Falls say that even in daylight, the sky is always black, with the blue globe of Earth hanging over the horizon.

Selene’s Falls is about 400 hectares in size, shaped like a valley with steep walls and a stream running through its center, with its source and the drain underground. The valley is criss-crossed by paths for walking and carting. Several paths lead to cave openings that can be used to reach the other sections of the Thethered Enclave.

The vegetation of Selene’s Falls is temperate, with many leafy trees and meadows covering the floor of the valley. The stream itself feeds into several ponds, and the landscape looks shaped. However, the entire landscape, including trees, bushes and meadows, had an uncannyness, which many describe as something out of a computer game. This feeling of uncannyness is increased by the lack of birdcall or other animal sounds, with only the rushing of the water and the rustling of the trees audible. Finally, it appears that it is almost impossible to become dirty, as even if one tries, no dust can be produced anywhere, giving the entire place a sterile feel.

Centerpoint of Selene’s Falls is a large building, partially built over the stream, which looks like an almost exact copy of Frank Lloyd Wright’s Fallingwater from the outside.

Inside, Selene’s Falls is different to the original Fallingwater, as the floors are all polished stone or concrete, as are all walls not made of natural stone. Neoma meticulously cleans all windows, and it seems they might not even be there.

The interior design is minimalist, with furniture made solely from silvery polished metal, clear or milky white glass, and upholstery made of latex covered and highly polished memory foam.

The living room on the ground floor is enlarged, as the Family doesn’t seem to need a kitchen. It contains a modern media system, as well as a full BDSM play area. On one side, facing the large window area overlooking the waterfall, a conversation pit is sunken into the floor.

The upper floor is a single large bedroom for the entire Family, with a large latex covered bed sunken into its centre. Usually all members of the Family sleep here together, in direct body contact.

At one of the natural stone walls, a pair of pony boxes are situated, with two more, smaller latex covered beds sunken into the floor, allowing Luna and Lua to sleep separately from Selene as needed.